March theme is all about Courage
When researching or writing about courage, other traits fall into the mix: risk, vulnerability, curiosity, empathy, and action.It seems, then, that courage has nothing to do with your title or level of expertise. It’s not for the few or the gifted. It’s an act of humanity, of choosing to take an action that is risky because it demands vulnerability and curiosity.Courage has no specific form and knows no bounds. From starting a side project to the act of listening when you would rather interject, every day we are wrapped in opportunities to exercise courage.We need your courage. It’s going to be risky and will require vulnerability. A posture of empathy and curiosity will empower you. And above all, you must take action.This month is presented by our global partner WordPress.comThis month’s global exploration of Courage was chosen by our Oakland chapter and illustrated by Annie Wong.
November theme is all about Death
Death has inspired humanity since time immemorial, influencing ideologies and storytelling to our understanding of life and how we live it.To our ancient ancestors, the fear of death was a palpable and daily motivator.
Although our world is infinitely safer than it was centuries ago, we are still driven by the fear of death and we expertly attribute it to even the smallest events: traffic, deadlines, a mistake, public speaking, your boss’s name on your caller ID on a Saturday.
What we have done well as a species is leverage the fear of death to inspire achievements that seemed impossible, to create work that needed to be made and to discover insights that help us live well.
Interview with Kriss Eglite
How did you start your label?
It was all very much an organic process. At first I did not set out to create a brand or a business – I just found the process of jewellery making therapeutic and I was excited to make exactly the kind of pieces I wanted to wear. But people started approaching me and often asked about the pieces I was wearing, so I started to play with the idea of making jewellery for others as well.
And since I have an MBA in marketing, then it was natural to include my story and vision into all my pieces. Not to just make something but to try and create a whole “NV World”.
So, how have you discovered a passion for designing the jewellery?
It was all wonderfully accidental.
I have never been into arts and crafts stuff. So when years ago my two friends (one a very much arts and crafts type of person and the other a jeweller) invited me to come and just hang out and maybe make some stuff together. Well, I said we can try but I don’t think I will like it. And boy, was I wrong!
When I actually sat down with all the wonderful stones (the different colours, textures, etc) and they had shown me the very basics of how to make a necklace or bracelet. Well, then I suddenly discovered how much I really enjoyed getting out of my own “headspace” and into a much more limitless world of creativity.
How did you come to launching a business in the jewellery?
Before committing myself entirely to jewellery making, I did test it out. I had a “real” job and on my free time I would make pieces, develop my brand, search for the perfect packaging, etc.
At the same time I was also determined to not loose the joy of making jewellery, not to be in a position where I have to worry about selling it. Hence I would work to finance my life and my newly found passion- I had a saying that I make pieces that I really love and if someone else loves them just as much, well that is a bonus!
But fortunately things developed quite fast and after two years I was at the crossroads – it was a big decision for me to invest all my time and effort into just jewellery making. I am thankful for my own courage to step out of the comfort zone and to take a chance on myself.
What are the challenges in the profession of a jewellery designer?
I think it is not just jewellery making, but whenever you take a leap into something new it is scary. Basically, you jump with your head or for the more levelheaded person feet first into the unknown water – and that takes courage, determination and resilience. At the beginning, it is definitely putting yourself out there, which in turn makes you more vulnerable – because people will react and sometimes the reactions are supportive and other times they are not. I guess at first that is the biggest challenge - to take feedback but keep focusing on your own inner voice as well.
The second challenge I would say is understanding the market, the new environment. I did research, but a lot of the decision making was very fast paced and often it was based more on my gut feeling.
The third challenge is the legal part. It is just something that isn’t often talked about in the creative industry. My big lesson has been that if you come up with something unique, then do try to protect that idea, product as best as you can.
Of course, here the list continues indefinitely- since I am learning something new and challenging almost on a daily basis. But for the most part, I love it - it keeps me on my toes!
The most valuable lesson you have learned when being jewellery designer?
Dream big, work hard and be kind to yourself.
The October theme is all about Pioneer
Pioneers shatter expectations, widen boundaries, and reveal new possibilities in life. Whether the work was inspired from being on a ship or inside of a studio, pioneers act on their internal, immutable desires to create work that matters.You might be on the edge of pioneering something new; only time and your relentless drive to create against all odds will determine that. We look towards pioneers to bring us to new discoveries, domains, and knowledge about ourselves.We’re looking at you. This month’s global exploration of Pioneer is chosen by our Denver chapter, illustrated by John Vogl, and presented by MailChimp.”
The September theme is all about Compassion
Compassion is a pause button that reminds us of a fundamental truth: we’re all stumbling and nobody has it figured out.
The best part about compassion is that it’s a learned trait—unlike your height or eye color—and the more we practice accepting others the sooner the easier it becomes to accept ourselves.
When this is at the forefront of our minds, we give people a chance to show up and be seen. When in doubt, the answer is compassion.
The August theme is all about Genius
Genius is a label, a shortcut that signifies the remarkable achievements and abilities of an individual. Thomas Edison famously quipped that genius was one percent inspiration and ninety-nine percent perspiration. But genius also hinges on the voices of the community, the support of the people.
If you unpack this centuries-old label, you might realize that the posture of a genius is already baked into your daily routines. Geniuses are exceptional at failing, learning from mistakes, and cross-pollinating insights from various domains. They’re working, not for money or fame, but because they’re compelled to pursue a particular craft or interest; they’re obsessed; they cannot look do anything else other than solve the problem, paint on that canvas, or breathe life into an idea.
Today, opportunities and resources to tame your talents and sharpen your skills abound. The real battle is less external and more internal—facing your fears, quieting your ego, enriching your mind, and dancing with failure. Perhaps Mozart got it right when he said, “Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.”
The July theme is all about Equality
We imagine a world where we’re seen and heard, respected and valued, not for our appearance and privilege, but for our work and character. A world where anyone, anywhere, has equal access to opportunities and resources to become the person they dream about. The formula for equality is a work in progress, and this work is not done from the few with power but rather through the power of community.
Equality is harmony. Harmony isn’t achieved through one instrument; it’s a collaboration, a symphony of sounds that adds richness and texture to the bigger picture. The pursuit of equality is a long-term game, an unraveling of outdated processes that no longer serves the future we imagine or deserve.
We’re thrilled to announce that we’re partnering with Adobe to stretch our collective mission in connecting and empowering creative communities around the world.
With Adobe’s indispensable tools and decades of experience in enabling creatives to bring their ideas to life, along with CreativeMornings’ unwavering commitment to unite and inspire cities with face-to-face connections, we’re honored to be partnering with another company that is eager to champion the future of creativity and add fuel to the engine of generosity. Read more about it!
Interview with Almondi Esco
- How did you get into content marketing work?
It all happened because of my wish to tell stories. It actually started about 10 years ago, when I worked at the Estonian Business Daily Äripäev in the creative news department. At that time the revolution of the web had just started and I fell in love with all the possibilities to tell stories in that new way. We created the first video news story in Äripäev and also the first complex multimedia story with videos and picture stories and everything. Today it’s, of course, nothing but at that time it was a totally new approach. But in terms of turning a profit, it was expensive as hell. So when the creative news department at Äripäev was closed due to the recession I was too far gone down that new media rabbit hole that I just could not go back to just writing news. Instead, I left Äripäev and started working on my own to find ways to bring my stories alive in the new media world. And it did not take me long to figure out that the only way to do that is with branded money. So for me, it was never really about marketing… it was always about the story.
- How would you define ’Survival?’ What does that mean to you?
I used to do jiu-jitsu when I was young. I sucked at it. Every time I sparred I was taken down in a matter of seconds. And yet at that unfortunate position, I found something paramount - the importance of the ability to survive. Although getting me down in a lock hold might have been easy, getting me to surrender… well, that was a whole different story. Today as the director and producer of a seven-figure animated feature film “The Survivalist - Danger Island”, I am often reminded of those moments lying face down on that sweaty sparring matt, as looking back at this journey it has been nothing less than a trail of lock holds, where the only way out is simply not to give up. And that is exactly how I define “Survival” - it’s simply not giving up.
- Was there a point in your career where you felt like you were just surviving? How did it impact your creativity?
Oh…if I look back at my life I don’t see a trail of success. I see a trail of failures. So much so that I can’t even measure my successfulness by what I’ve done right, but by everything I have failed in. And the only way I know I am on the right track is through my failures getting gradually bigger. Because if they get bigger, that means that someone has trusted me with a bigger project. So in regard of that, I am unable to point out a specific place in my career where I felt like just surviving because to me it’s always just surviving. There is nor there ever will be a safe harbor, a summit or a finish in life. It’s all survival until the very end. And that survival does not just impact creativity, it IS creativity. Because creativity can’t be or come from a point of standing still. Creativity is what happens in endless unexpected collisions inside the storm of life.
- What advice would you give to those, who want to build a career in marketing?
Well. I guess the best advice I could give them is not to ask that questions from me (laugh). In all seriousness, I have never seen myself as a marketer. I have always seen myself as a storyteller. And I don’t mean that in a cheesy “trying to make a point” way. I mean it in a way that I never wanted to become a marketer or a branded entertainment specialist. I just wanted to build worlds and tell stories. But in order to do that there was no other way than diving neck deep into branded entertainment. So yeah, I do feel very much at home when it comes to content marketing and I truly love content marketing and all of my dreams literally come to life thanks to content marketing, but still I am the wrong person to ask that particular questions, because my goal was never to build a career in marketing. It was to build a career in storytelling.
- Tell us something about yourself that we can’t find on Google.
From the day I went to kindergarten until I was about 17 years old I was rejected by every girl I ever liked. I believe that to be the most significant factor in the development of my character because it is both the birthplace of most of my creativity as well as most of my anxieties (laugh).
The June theme is all about Survival
The ability to overcome adversity and withstand waves of turbulent times is part of the human spirit. In our hardwiring, it is the oldest of threads that also fuels our creativity.
Stories of survival resonate because they remind us of our inherent power to adapt and change. A choice is always present, and survival is about choosing to move forward.
This month, our creativity will be empowered by the humbling stories of survival—from job loss, heartbreak, to life-altering moments. We must not forget that the necessity of survival imbues us. The fact that we’re fragile and complex doesn’t make us weak; in fact, it makes us stronger.
Serendipity with Dan Mikkin
In May we were talking about Serendipity in service design with Dan Mikkin - brand and service designer, one of the founders of the Brand Manual. The service design company is based in Tallinn and Stockholm.
Dan shared his secrets and experiences in service design, we also received lots of useful tips how to train your intuition in service design preparation.
“Serendipity is a great thing, but it never just happens. When you learn both the service provider’s and the user’s point of view, then things really click together. Good stuff happens to the prepared!”
Photo: Andra Hamburg
Find out more about Dan Mikkin: