Next Portsmouth speaker
Our interview with May SERENDIPITY speaker, Bob Lord - Founder of Parma Recordings.
PKX: What is your path to your current career?
Bob: I loved music since I was a little kid. The Beatles, Jerry Lee Lewis. Then I heard the Who. And I knew what I wanted to do for the rest of my life.
I’ve never had a real job. I still don’t have a real job.
I followed my ear. I never had any formal training.
I got a band together with a college friend - that was Dreadnaught, and it went from there. That was 1996.
We began touring around New England, and then going further and further out. A whole cross country run from Idaho and back to here and back again. And trying to get back to class in time and make my classes at UNH.
I started Parma 9 years ago - it’s been a quick 9 years!
PKX: How did you make the jump from The Who to Classical?
Bob: As kids, we all hear classical because of Warner Bros, and jazz because of Mr Rogers. Right? But none of that really appealed to me until I could cross reference it with the rock I was really into - bands like Rush, Yes, King Crimson, Stravinsky started to make a lot more sense for me.
All of these complicated arrangements and a lot of detail in the music, has always been the stuff I liked. Classical was very natural for me to fall into.
PKX: What do you play now?
Bob: Well, we’re weird. Dreadnaught never really went away. We are like one of those horrible t-shirts that comes back in and out of fashion every few years, and you are never quite sure why.
It’s pretty logical progression when you look back at it. At the time it made no sense.
PKX: What advice do you have for people getting into the industry today?
Bob: Be open to creative criticism. Prepare yourself for a bad review - it’s the best thing that can happen to you early in your career.
I think that’s the most important things kids need to learn: You don’t need to be a rock star to have a meaningful career in this industry.
Be prepared to do an awful lot of things, until you can do the one thing.
Be yourself, be honest, do what you say you are going to do - always.
PKX: How does Serendipity play a role in your career as you look over the past 20 years?Bob: Serendipity spoke to me because of how unexpected my life has been. I don’t think anybody would have looked at me at 13 when I was playing the bass and said this is where Bob is going to end up.
Also - there are always things happening that you are not even aware of.
So what from the outside looks like serendipity, is really just the product of a lot of people helping you out.
There is no such thing as the self made man.
It’s a cliche - but luck is the residue of design. You simply need to put yourself in a position to get lucky. I can think of a circumstance that happened to me about a year ago - what looked like a regular 15 minute meeting, was actually the culmination of 10 years of work.
You go through dreaming what you want to do with your life….to do this and this and this…you might be so single minded as to not realize all the opportunities that are right there in front of you.
You can have a great game plan, but all that goes right out the window the minute you set foot on the playing field.
It’s like improvising musically - if you know it all, it’s in your gut, your heart, your brain, it’s easy.
PKX: Anything new and exciting happening in your industry?
Bob: All this chicken little bullshit “I’m not making royalties” “where is my money?” “How am I going to be paid?”…I think that’s a good opportunity for this completely green field of open opportunities.
Turmoil is a terrific thing.
There was a bubble for a long time, where you could be a 4th rate bass player in a 3rd rate band and still make a shitload of money.
That time is gone. It’s never going to come back. And I like that. It makes me think in a more ingenious sensibility.
On a personal and Parma Recordings front - I have some exciting projects coming up. I like working in Cuba and we are going back there soon. Look for some big announcements coming soon.
PKX: How do you get the word out about Parma and the work you do?
Bob: At the end of the day, it’s the quality of the expression that’s going to win the day.
Your technique with instagram doesn’t matter - it’s how good is the material itself.
In my day to day world in the classical music industry, so many people are unaware of all the different methods one can use to get music out. It’s a very insular community - where there is this perception that it’s about the artwork itself, and it’s “dirty” to think about how to get your art out there. That’s where I come in - I don’t mind doing the dirty work. I like it.
PKX: If would have any speaker at PKX - who would it be?
Bob: I’d love to see what Bach would have made of all of this. But I would be very curious to know what he thinks about the sustainability of a career. Or anything he would say…about anything. But he’s unavailable.
PKX: if you could open a door and go anywhere, where would you go?
Bob: I’d like to go anywhere in the known or unknown universe and see what advanced intelligence is like. I’d like to see that. And then see if they have drive-through.
Heard after we hit “stop” moments with Bob…
It’s amazing what happens when you stop giving a shit. It’s liberating.
Our interview with April BEYOND speaker essayist, Carley Barton.
PKX: When did you take the leap from ad agency work to being a writer for a living?
Carley: I am a “cliche creative” and writer. I’m very into English & history. I always knew writing was going to be part of my life. But how to make it profitable? How to survive being a creative writer?
Right out of college being a writer didn’t feel tangible. I was so afraid - afraid that I would wake up and hate writing. I’ve been a writer my whole life. It was my desire to protect this thing I hold so dear, and a I was afraid if I did it for a living it would take away the magic. I have a knack for speaking very openly and honestly with people about difficult topics. So I started working that into my blog and it just took off. I got a non-writing ad agency job offer and I made the move from California to NYC overnight and it was total culture shock. But that’s kind of how I’ve done everything since then. It’s going to make you uncomfortable, and it’s all going to be a big mess. But the only way to figure it out, is to do it. I moved back to NH for another ad agency job I realized I wasn’t happy. I got an opportunity do a freelance job back in California - it was just writing an entire magazine cover to cover. I realized “oh! this is why it feels like to love what you are do” - AND be compensated for it.
PKX: What inspires your work?Carley: Human parts of life. My goal is to interact on a deeply human level.
Those everyday human truths and sparks are my greatest inspiration.PKX: Talk to us about your Creative Process.
Carley: I’m not a morning person…or a night person. But I find my brain wakes up from 9pm to 2am. Part of the blessing and the curse of being inspired by personal human connection is that I can’t just take a walk and be inspired. That organic conversation I have with a person: someone will have said something and I record it instantly.
I approach life like it’s one big brainstorm. Everything is fair game.
PKX: Anything you are excited about that is new in your industry?
Carley: Social media is becoming a lot more about open and honest and vulnerable. Even if you look at the Super Bowl ads on social media: brands aren’t afraid to address things that are sensitive or taboo or off topic. To take these realities that maybe aren’t “instagram” worthy and make them something. That’s what excites me about my industry right now. More and more real humanity incorporated into everything from cereal to car commercials. We want less “smoke and mirrors” now. We don’t want it all feel like a motion picture.
We want the grit and the rawness. That’s what life is.PKX: If you could open a door an go anywhere…where would you go?
Carley: Wow. I really wish I could back to my mom being my age and be friends with her. Just journey back, time travel style. I’m obsessed with my mom. I’m constantly asking her for pictures of herself when she was my age, and pictures of her friends. I wish I could go back to that time. There was so much happening and so many of the causes I believe in - and to see who my mom became now and who am I going to become some day.
PKX: How does the BEYOND topic speak to you?
Carley: It was an easy choice. I’ve really found myself pushing beyond, even what I thought I was humanly capable of.
The only way I’ve been able to push beyond, has been to embrace the scariest parts of being human.
The fear, the judgement, and the unknown…and really just leaning into those uncomfortable places. And refusing to let the hard parts of life make me hard. Because life is hard. It’s messy, it’s complicated. We often times, knowing that things can be hard - we stop ourselves. We get to a certain place where we are approaching our comfort zone, and we dig our heals in and we resist.
BEYOND really spoke to me because I’m obsessed with this idea of going beyond what we thing we are capable of. The human spirit is so resilient. We don’t give ourselves enough credit for how strong we really are. The things that are difficult that you go through are the things that make you different, the things that turn you into what you are. The only way to get to it being better or easier is just to go through it.
PKX: If we could invite anyone to speak at PKX, who would you want to see? Carley: I’m enamored with Brene Brown. She’s so beautiful as a person, and her approach to writing and sharing inspires me. I try in my own writing to blend real life experiences and anecdotes and with universal truths of life. Brene Brown does this a lot. She’ll tell a story about a fight she got into with her husband, and she’ll use that as a way to talk about how, if we talk openly and honestly with the people we love, it will help us.
PKX: What advice would you give a person just beginning in your industry?
Carley: That it’s gonna to be ok. Shit might hit the fan, but then it will be ok again. It will always be ok.
Don’t be afraid to be different. We’re all mad here.We’re all our own blend of weird and that’s what going to make you successful. People always ask me about my blog, because my blog is “real, REAL.” They ask, “Are you afraid that people are going to judge you?” And I say, “They are going to judge me anyway. I hope they do.” Everyone is judging you. You can just accept that and own it. The right people–your people–are going to be attracted to that, and the people that aren’t, are not your people. And that’s ok. There is a quote I love by Dita Von Teese - “you can be the ripest, juiciest peach in the world, and there’s still going to be somebody who hates peaches.” But don’t let that stop you from being weird and different.
Our interview with March TABOO speaker Michael Venn. Director of The Heroin Effect.
PKX: How did the idea of The Heroin Effect film begin?
Michael: With this film, it was an idea I had very quickly, and I knew that I couldn’t NOT do it.
Once I made the decision, suddenly every headline I was seeing, whether the Portsmouth Herald or the NY Times, was about the heroin epidemic. Growing up in Miami, I was used to that headline - but not in Portsmouth NH.
After I made the decision to do the film, I was walking back home from the coffee shop where I had seen all the headlines, and I ran into an old friend who told me his entire story of his heroin addiction. He totaled his car and went through sober living facility and was now 11 months clean etc.
My jaw just hit the floor.
I say that because this guy, he was the kind of all american kid that you would want to set your daughter up with or who you wanted your son to grow up to be like. He has a masters degree, he’s an athlete. And on top of it, he looks like he could have just stepped of the cover of GQ.
So for me, it just literally twisted the stereotype of what people think is a heroin addict on it’s head.
After that 5 minute interaction, I walked home and immediately wrote down two pages of what was to become the entire film.
I started to tell everyone I knew about it, and suddenly this momentum started happening. And that set me on the path toward this film.
PKX: What else did you learn in making this film?
Michael: The story of heroin addiction is not the story you “think” you know.
The story I heard over and over again is pretty normal. It goes like: “I blew my knee out, and my doctor gave me a 30 day prescription for Oxycodone and I got addicted. My doctor wouldn’t give me more, and I couldn’t afford it on the street, so I switched to heroin.”
Everything we think we know about drug addiction is totally wrong.
It’s not all about homeless lone addict on the street. It happens to your next door neighbor. It’s not the person you think it is. I want to begin to erase that stigma or “taboo.”
No one sets out to be an opiate addict. The path is not as obvious as you see in the media.
I wanted to stay away from the typical “needle-porn” type footage. That is not the story.
I wanted to tell it from a different angle and begin to change that perception so that people would start talking about it and not pretend that it’s something happening outside. It’s your neighbor. And there is help.
PKX: Where do you get creative inspiration from?
Michael: There are wonderful moments when you are shooting, when you realize “this is going to be great.” And it’s never the moments you think it will be. Documentary film usually happens by accident. Those happy accidents or screw ups. You have to be in the moment, always.
If real estate is location, location, location. Film is story, story, story.
PKX: Does your creative process meander around, or do you have a pretty clear idea?
Michael: I knew I wanted to change perception and do it differently. Everybody has a “vision” of what they think heroin addicts look like. I knew I wanted to change that.
The creative process just consumes you.
You wake up in the middle of the night thinking about it. It gets to a point where you just HAVE to do it.
PKX: Tell us about your technical process of filmmaking.
Michael: I didn’t go to film school. I don’t know the “right way” to make a documentary. I just made a story that I would want to watch.
You have 5 minutes with a film - it either grabs you right away, or it doesn’t.
We got some great advice from Werner Herzog’s editor: just jump right into the story. Don’t need to lay it out in a montage - just dive in. The story will pull everybody in.
PKX: Talk to us about our global CreativeMornings topic of TABOO.
What is more taboo than heroin addiction?
It’s pretty taboo. People don’t talk about it.
But, the version everyone has in their head of this taboo is not the one I have seen or wanted to tell. The homeless addict you see on the street is at the very tail end of a story that started probably fairly harmlessly, who knows how many years before. They could have been helped if it WASN’T so taboo.
Think about other taboo topics - gender, sex, etc that nobody ever wanted to talk about a few years ago. But the new story seems to heading toward “Let’s figure out what unites us - not what divides us.”
This film is not about spoons or needles. It’s about people and recovery.
P E T E R J U D E R I C C I A R D I
Our interview with February Moments Speaker, Peter Jude Ricciardi of Your Creative Solutionist for CreativeMornings PKX - Portsmouth NH.
So your company actually has the word “creative in it.” How do you define creativity and apply it in your career?
I’ve been doing creative since I popped out. I invented “The Guy In The Black Hat” when I was a child.
He was the guy who got me in trouble - it was always his fault no matter what I did. I told my parents to talk to the guy in the black hat who lives behind the garage. No idea where that came from but that was when my creativity started.
To me it’s about working without limitations. Never editing - that’s the hardest thing to do to not edit yourself. Just let things loose - let them fall where they may. Just say “I have no idea how to do this" - and then just back engineer it.
Ignore rules too. I have no idea what your rules are, so I don’t even know when I’m breaking them.
I try to do what others will not in my business.
It’s always a blank slate because every project deserves a fresh look.
Where do you find your best creative inspiration? What inspires you?
Music - no contest. When I have no idea what to do - I start scrolling through music and sound effects. Something usually grabs met hat is from a different crazy angle.I was one of those “band guys” in high school - it was like being in a gang. So much fun - it was creative expression that I just wasn’t getting from “baseball.“ I’m actually more of a performer than a musician though.
Making the jump from music and bands to radio was a natural another expression of my love of performance.
I can hear when someone loves to perform. I can also hear the tension in the chest when someone is afraid to talk or perform in public. I just have them start talking about something they love - instantly the anxiety disappears.
Another thing that inspire me - when someone let’s me do whatever the hell I want, as long as I don’t ruin their brand, that is the best client.
Anything interesting out there in your industry/world that you see as new and exciting?
The model of high end retainer agency - just shattering that and slicing it off. You can build your own team with creative people from anywhere who don’t want to work in agencies - solo people. The “we” has shifted. It’s exciting.
Another exciting thing I am starting to notice is that a lot of businesses have realized that the laundry list of “features” is obsolete. It’s about the customer finding themselves enveloped in your story that matters. Pretty exciting.
I saw on your facebook page that you are “always open.” That kind of scares me as an agency head, tell me more about that.
There really is no “life and work” boundary for me. It’s all up for grabs in my creative world. I could be doing some thing cool with my kids, and suddenly I’m instagramming our Melissa & Doug projects and a potential client sees it and hires me. When I say I’m always open, I mean it. I truly love what I do and that’s the only way I can operate.
There are kind of two sides to me too - there is the bright shiny penny side of me, and there’s that oxidized, dirty, smudge-y side. That kind of describes me and my personality.
How does our global theme of “Moments” play a part in your creative life?
Just recognizing when your in the middle of a moment, or knowing one has just taken place. Backlog that moment and bring it up when you want to be in that zen place OR Run like hell OR say yes.
Life happens in a series of moments.
As it relates to branding or advertising for your business - you are looking to show your message in those tiny moments. That is when people make the decision to open up to you as a brand, or to close off. That is what you get - only a few moments. Hit me with something wonderful, draw me in wit a single photo or a few words, it happens in a moment.
You only get that one shot. The first few seconds of a promo, that’s all you get.
What’s the best creative advice or tip you wish you’d known when you first started your career?
Stop asking for permission.
If you want permission - a creative role is not the place you want to be. It’s definitely a place you can apologize later for.
Reminds me of my ad I did. A “Chilk” commercial - combo of Chicken and Milk for a bank ad. Yeah - the bank executives pulled that immediately. But I didn’t ask permission - just did it.
I’ve told account executives - I don’t care if your client is happy. I’m not doing this to make your client happy. What I care about is “will this work” “will it be effective” “is this an accurate representation of your client’s product or brand.” You don’t hire me to agree with you. It doesn’t mean that I’m difficult to work with - I’m extremely agreeable to work with - it’s just I will tell you if it’s not in your best interest.
If they like you, if they trust you - they will allow you to do what you do.
When you have confidence - own it. When you are going to step in poop, just track it all around the house. You can tweet that.
Look at it this way - how cool is the skate park kid who is wearing bumper guards, a helmet and knee pads vs the kid who is whipping up the sides of buildings with no helmet on? Who would you rather take a picture with? The cool kid of course.
If we could invite anyone, who would you like to hear speak at CreativeMornings?
I’m going to use one of my favorite stalling tactics while I think about this…I’ll hum for a bit.
You know who I am going to say? Alan Rickman. Love the sound of his voice, love what he did on screen. I’m probably going to regret that answer, but he did so many cool things. He just popped in - so it must be right.
At least I didn’t say my mom or Jesus.
Alan Rickman or maybe David Bowie. But as is - dead. Corpses - propped up. Just act natural around them.
Heard “After we hit STOP” moments with Peter…
PS - Can I streak the room during my intro? Like a grainy Big Foot video? I’ll turn a little bit for the video?
Also - I have a rider for my dressing room:
A shark tooth earring.
A Dan Fogelberg cassette with a Dolby Audio logo on the front.
3 Tube socks.
5 goldfish - 4 alive, one dead.
Gym shorts circa 1970.
We’ll get right on that Peter.
An electric first year for CreativeMornings PKX - Portsmouth NH! Thanks to all of our speakers and sponsors for making it happen.
Mara Flynn on SOUND
SOUND - Theater, Music and Vibrations that Move Us
With theater games and live music, we’ll celebrate the power of sound
Mara Flynn is co-director at Acting Out Productions in Newburyport, MA where she teaches improv based theater classes for students ages 6-18. In the summers she runs performance workshops where students create, write and perform an original play in one week. She also teaches workshops at the Tannery Arts Camp and Theater in the Open.
As a singer-songwriter, Mara released two albums as “Milksop Holly” (1999 and 2000 on Shimmy Disc). A decade later, Burst and Bloom Records released her debut solo album, “Small as a Heartbeat” (2011) and her follow-up, “Wide Open” (2013). Her newest record, “Good Hands” was just released in November 2016.
As a teacher, student and practitioner of theater and music, she has come to learn that these arts are powerful lenses through which we can joyfully deepen our sense of community, self-awareness and empathy.
Come hear Mara Flynn Dec 9. Bring $5 to support PKX and receive a handmade custom letterpress card with your favorite PKX quote of the year!
Kristina Logan on Transparency
From Hippy Van to the Smithsonian Museum of Art
As a kid, Kristina always said, “I want to make things with my hands for a living”. She did not imagine that these things would eventually be made of glass. Kristina talks about her work and the path that lead her to a life of creating objects with a transparent material—glass.**
KRISTINA LOGAN has been making glass beads for over 20 years and is recognized internationally for her precisely patterned glass beads. She served as president of the International Society of Glass Beadmakers from 1996–1998. Kristina travels extensively throughout the United States and Europe teaching workshops and lecturing on contemporary glass beads and jewelry.
Kristina has taught beadmaking at such well know schools as The Studio at the Corning Museum of Glass in Corning, New York, Urban Glass in Brooklyn, New York, Haystack Mountain School of Crafts in Maine, Penland School of Crafts in North Carolina, Musée-Atelier du Verre à Sars-Poteries in France, and Abate Zanetti in Venice (Murano), Italy.
The artist writes that beads "are part of my lifelong fascination with art and ornamentation. Glass beads form an historical thread, connecting people and cultures throughout our history”. Kristina’s work and desire to educate has been an inspiration for many glass beadmakers throughout the world.
Kristina’s work has been collected by The Smithsonian Museum of American Art: Renwick Gallery, Washington DC, The Museum of Fine Arts, Boston MA, The Corning Museum of Glass, Corning NY, and the Musée du Verre de Sars-Poteries, Sars-Poteries, France.
[Kristina Logan on Facebook](https://www.facebook.com/Kristina-Logan-Glass-48939676198/)
Food of the Gods: Discovering Magic Through Concocting the Extraordinary"
“When you sense something magic, you must give chase! If you are an artist, a creator, this is your charge.”*
Enna will share her philosophy about creativity, and she will share her bean-to-bar handcrafted chocolate too.
Enna is a photographer and craft chocolate-maker. She resides in Exeter, NH and makes a living as a photographer. Recently her career took a right turn when she fell deeply in love with bean-to-bar chocolate making.
Enna grew up in an extraordinarily remote town in eastern Oregon, studied anthropology and photography, and has worked as an archaeologist, English teacher, barista, international student advisor, and wedding photographer, among other things.
You can reach her on:
Instagram at @ennachocolate
What IS the weirdest performance by Knate Higgins? Hear a short snippet of his hilarious story. #CMWeird #creativemornings #CMPKX. Video by Steff Rahaim.
Want to hear his entire talk? You will learn some cool things about weird. Knate Higgins CreativeMornings Talk.