Next Denver speaker
For our third virtual gathering of 2020, we explore the world-wide theme of “NATURE” by way of learning about the collaborative nature between three talented Denver artists - Andrea Slusarski, Kathleen Hooper, & Aubrey Mable.
Andrea is an artist, professor, and sketchbook adventurer based in Denver, Colorado who runs a design studio called Draw From Nature, and Kathleen and Aubrey make up the Colorado-based indie-folk duo known as LVDY.
May’s them is “Nature” - chosen by the Salt Lake City chapter - and we find it such a timely gathering for us in the midst of such an interesting time where a great disruption in our lives has revealed so many more aspects of human nature and being part of the natural world. There’s one essential take away we’ll celebrate this month, and that’s the nature of being stronger together, of being more creative together, than separately.
This CreativeMornings talk will be part musical performance as a celebration, part storytelling to connect to our guests, and part discussion so you leave equipped to create and take on the new world ahead. We’ll learn how these three creative spirits have come to work together, how nature itself is a shared affinity, and how it provides creative fuel for each of them individually and collectively. We’ll hear their thoughts on creativity as part of our human nature and how it’s in our nature to collaborate and co-create TOGETHER…especially when things get funky, wild, and uncomfortable.
As a community of creatives, within the larger community of Denver, we are lucky to have each other, and lucky to spend time together like this!
We look forward to seeing everyone, and their living rooms, and we suppose we get to see some of your office-lives now too!
What a wild time to be alive.
Much love, CreativeMornings/Denver
(P.s. - show up a few minutes early (8:25a) and warm up your creative ears with tunes from LVDY.
We Want YOU for Audience Takes The Stage!
Creative Mornings Denver is calling out to our city! Are you creative? Are you making good work? Are you impacting the community? We want to hear from you during our upcoming event, Audience Takes The Stage!
Submit you idea for a talk here: https://forms.gle/6G2jxXkABWJKV4ZV7
Ever WONDER what you think about WONDER, Creative Mornings Denver?
May’s theme is PRESERVE!
Every one of our speakers approaches our themes differently, often in ways that we don’t expect. When it comes to PRESERVE, here’s what YOU thought, Creative Mornings Denver!And don’t forget to come to see Toni Yagami on FRIDAY at Curious Theatre! If you haven’t signed up, tickets are still available.
~ and special thanks to our Creative Mornings Denver member, Meg Zimont, for putting this together!
Did you ever play with a kaleidoscope as a kid? But maybe you remember looking through the cardboard or tin tube and pointing the bottom at a lightbulb. As you twisted the tube, tiny colored bits split and fractured into all kinds of different patterns.
Despite being considered a child’s toy, kaleidoscopes are alive and well. Modern makers create incredible works of art, making the ones you played with as a kid pale in comparison. To gaze through a modern kaleidoscope is to experience a moment to breathe and relax. But why and how can a kaleidoscope have such an effect on us?
It’s all about the symmetry. At their core, kaleidoscopes are a perfect example of symmetry created by reflection. The multi-faceted reflections within a kaleidoscope give us the visual sense of balance and harmony. Each reflection is a perfect companion to the one beside it. And depending on the number of mirrors, there can be a plethora of patterns and combinations.
As human beings, patterns provide instinctual joy and calm. It’s why we take pictures of penny tile floors and why we love the shape of a perfect maple leaf. Wherever we find these reflections and patterns, we will likely find symmetry. It doesn’t matter if it’s in mathematics, in science and nature, the arts and even our interactions with other people. We crave symmetry and harmony.
The ultimate expression of symmetry is in the reflected similarity of the larger group. There’s symmetry in a maple leaf because it replicates itself along the vertical line. There’s symmetry in a pattern of hexagons across a floor because they’re each the same. The second you throw in a different element–an oak leaf or a square tile, for example–the symmetry is lost. If symmetry is comfort, then asymmetry is uncertainty.
As creatives, much of our lives is spent taking people out of comfort and putting them into places of uncertainty. It’s how we encourage interactions between the creator and the audience. An artist creates a piece that opens dialogue between different people. A need to find information quickly requires a new UX design. And we all of have experienced an ad for a product we didn’t know we needed. Each of these things takes something uncertain and offers a path back to symmetry.
Surreal is a hard word to describe. A simple Google search reveals a circular definition: “having qualities of surrealism; bizzare.”
That’s helpful, Google.
At the recent Dior exhibit at DAM, the opening section showcased the connection between Surrealism and the artistic brilliance of haute couture. Salvador Dali’s piece, Retrospective Bust of a Woman, was on display as one example of Surrealism. I overheard a woman trying to explain it to her young daughter. The best she could come up with was, “It’s like the painting with the melting clocks.”
Surrealism. Surreal. Why is it so hard to define these things and yet almost everyone can say they’ve had a surreal experience?
Perhaps surreal is hard to define because the word itself is inadequate. “Surreal” is an attempt to define a feeling, a brief second. We know it when it happens. We can’t describe the feeling before the moment happens and we still can’t, even after experiencing it.
Surreal exists between the expected, the unexpected and the incomprehensible. It takes something we know, something we think we know, and then demands we expand our thinking. Or maybe it’s an attempt regain something we lost as we became adults. Lobster Telephone starts to make a bit of sense when you remember that you played with a banana phone as a child.
Maybe that’s why we need surreal in our lives. It brings us back to the spontaneity and free association of childhood. In that world, a banana became a telephone, a blanket became the sail of a boat, and a tub full of bubbles created a mountain range. To watch a small child at play is to watch the imagination discover possibilities. Anything and everything can become part of a play world. Objects can be one thing one minute, and another the next. It’s ever changing, ever new and ever exciting. And from an adult’s perspective, it’s weird, bizzare and perhaps, surreal.
As adults, we rarely see beyond the black and white world of objects in front of us. Becoming “more creative” often demands we get out of our own assumptions and into the magical world where anything can become anything. In that way, surreal is an invitation from our inner five year-old to come out and play.
I don’t know about you, but the first thing that comes to mind when I hear the word “tradition,” is the Broadway musical, Fiddler on the Roof. It’s almost instinctual for me to start bellowing out Tevye’s classic song about tradition. Yes, I occasionally have to stop myself mid-note when the word comes up in casual conversation.
The second thing that comes to mind when I hear the word “tradition,” is holiday festivities, especially around Christmas. Even if you don’t celebrate the Christmas holiday, it seems everyone has a sacred tradition (the word of the day!) this time of year.
One of my traditions this time of year is getting our family Christmas Tree through the Christmas Tree Program from the National Forests. Every year on the weekend after Thanksgiving, we load up the car with winter gear, cutting tools and Thermoses filled with hot green chili and start the journey over the Front Range and down into South Park. After picking up our permit at the Ranger Station, we head out to the Pike National Forest. We make a whole day of it, stomping around in the woods and cursing sharp pine needles. Inevitably, it’s the first tree we find that we take, but we still explore the forest for hours anyway.
Once we have the perfect little pine, we lug it down to the car and try to remember how we tied last year’s tree on the car. I swear, the configuration of ropes and tie downs is different every year.
Traditions are an important part of life, but they’re not just reserved for Broadway musicals or holidays. We might have traditions about what we wear to sports games so our teams will win. Or how we cook a family recipe for tomato sauce. We even have traditions for how we approach our work. Traditions provide structure, guidance and a way to remember what has gone on before us. They’re a way to find harmony in community and a source of peace for an individual.
Tradition unites all of humanity. Not one person, culture or country is without traditions. Our traditions may be different, but each one celebrates those around us and the things we all find most important: our family, our friends and our community.
Join us for The Designers Challenge LIVE for our next happy hour on November 13th from 4:30pm – 7:30pm at Four Winds Interactive, 1221 Broadway, Denver.
We partnered with The Design Kids Denver and Vitamin T to invite some very talented local designers/creatives to show off their skills to our community by designing LIVE on the spot.
Come learn from the greats and hear them talk about their process while watching how they execute. This will be an amazing opportunity to gain new perspectives and learn fresh ways to approach design.
Registration will open up on the CreativeMornings/Denver website Tuesday, November 6th at 9am.
· Kiwi Schloffel of Craft Boner
· Haylee Powers of Bad Bitch Branding
· Andrew Hoffman of Andrew Hoffman Design
· John Vogl of The Bungaloo
How will this work?
Each contestant will have 24 hours before the event to prep, plan, sketch, take photos, anything they need to prepare to bring the designs to screen! And on the day of the event, they will have 45 minutes to design, LIVE!
Schedule for Event:
4:30 // Doors Open at Four Winds Interactive
4:30 - 5:45 // Drinks for anyone 21 and over, and mingling
5:45 // Doors Close. There will be NO ENTRY after this time
5:45 // The Designers Challenge LIVE Starts
5:50 - 6:35 // Designers have 45 minutes to bring their designs to life, LIVE on the screen, while Daniela Silva Riera, our MC, interviews each contestant and learns about their process.
6:35 - 7:00 // The Judging Begins
7:00 - 7:30 // Open Panel
7:30 // Event ends
CreativeMornings is the largest face-to-face community in the world. With 190 cities in over 60 countries, and 307,000+ people who have attended morning events. CreativeMornings is traditionally a breakfast lecture series, where each month a live event is hosted where people in cities all around the globe can come out, meet one another, and listen to an inspirational talk.
The Design Kids is a global online resource and works with 100+ design universities and colleges, 500 design studios, and many more design businesses. Their community of 70,000 students and grads continues to grow and help individual emerging designers succeed.
Vitamin T is a talent agency for digital creatives and the design-minded companies who love them. Their local team in Denver is one of the Denver chapter’s morning event sponsors.
To celebrate 5 years of CreativeMornings in Denver, we would like to turn the mic to our audience. We’re inviting anyone interested to apply to be a speaker at our 2nd Audience Takes the Stage event in November. The application deadline is MONDAY, October 22nd at 11:59:59pm MST, and we will announce the chosen speakers on October 26th.
November’s theme is RESTART. Does your story have a big restart in it? Does the act of restarting play a big role in your creative process? Do you have another unique thought, perspective, or background related to the theme?
Head on over to our application page and submit your idea of what you’d like to present!! We want to know about it, and we look forward to hearing what you have to say!
There is a space between the joy of starting something new and actually making it happen that can make or break any endeavor. It’s not pretty. Unlike joy and elation, this place is the exact opposite.
This space is known by many names: Writer’s block. Creative slowdown. Seth Godin calls it, “the dip.” Steven Pressfield’s name is, “The Resistance.” Here, in the mental murk, is uncertainty and the air is filled with self-doubt. Failure seems to lurk in every shadow.
In between the joy of starting and the elation of success is the treachery and risk. Risk of reputation. Risk of security and safety. Risk of ever being asked to make your work again. There is no map to navigate through this space. The path through is unique to each person. It’s easy to feel lost and unsure. But the guiding star is intention.
Intention is what pushes a writer through writer’s block.
Intention is what causes a musician to keep composing music.
Intention is what drives a designer through the umpteenth version of a logo.
Intention is what stokes the fire within us to make what’s important to us.
Intention is a shape-shifter. At the beginning of the journey, intention is the idea and the destination in mind. It can be anything from a new project to a new career. But when we’ve moved past the joy and curiosity of starting, we’ve entered that in-between space. We start to despair and feel the impossible closing in on us. Intention then transforms into the resolve to get to the other side. The end of the creative process may–and probably will–look different than what we first envisioned. But intention is what guided us to the result.
Following intention is not for the faint of heart. It is risky. You might lose your job. Or your parent’s faith in you. You may lose your sanity. But if you’re willing to always follow your intention, the reward is the fulfillment of purpose.