If we can accept the fundamental nature of time, if we can make it our friend and not our enemy, then I think that we can make better work. Or, at least, we can become better friends with ourselves and become more sane.

It's not just how much you have, it's how you use it. And I think, you know, this ever-ticking clock is not necessarily the thing that prevents us from making more or making better. But, instead, it's a factor in the process.

We don't have to think of time as an adversary, we can think of it as a contributor, as a factor — or even as a collaborator.

We do seem to exist, in terms of our work, and really, in most aspects of our life, in this really adversarial relationship with time.

There has to be more than doing what society tells us.

It was those words of 'I believe in you' that changed my life.

I turned in my first article, and it came back with nothing but red marks from my editor. . .and I learned that every failure was knowledge.

Let design be design. It doesn't have to be about consumption, so don't confuse selling or buying sh*t with creative expression.

For me, action is making things.

Make, make, make, make, make. Release very, very little. And the little that gets released passes this test of quality, passes the test of excellence.

If you're not having fun here, you're doing it wrong. This whole space, everything we're doing here--money doesn't matter; time doesn't matter--art matters. Creating matters.

Those distractions--when you see them completely eliminated, and what you can make from that? Off the charts. Totally different world.

We demand payment for making the world more interesting.

It'll be our own insistence on our own worth that will create more opportunity, not less

A model that requires artists to work for free is fatal to a sustainable arts economy.

By undervaluing our own work, we participate in impoverishing not only ourselves, but also the greater community of artists by making it unsustainable for those who can't afford to work for free.

If we believe in the creative economy and want for art to be an economically viable profession, then we need to change the social expectations that artists give their work away for free.

Can we agree that not all exposure is good exposure?

Today's free work will serve as free advertising for some hypothetical person will pay you for at some point in the future.

In a digital age that has made it harder than ever for creatives to make a living, we are so often asked to work for free.

I have a mother whose motto is 'tell them you can do it and learn it by Tuesday.'

Don't chase the glory, work hard, and be satisfied.

I believe that our best work will come from accepting the reality that it's all dust in the end.

Todo este tema de diseño y generación de proyectos, no es otra cosa más que ponernos al servicio de las personas

Olvidarnos de nosotros para empezar a pensar en los demas