Once you step on that stage you really are in a whole another world and it really takes something to do that, to throw your head over the wall and jump off that cliff and to make yourself that vulnerable, but it's absolutely exhilarating and when it does happen, you are not only creating the fantasy, you actually become it.
I always consider the audience as one of the biggest pieces in creating a production. Because we can do all that work and all that preparation and create this whole thing that we can put on the stage, but if nobody comes to see it, then it really has no impact.
When you think you are at full capacity, remember that you are actually just full of capacity.
Ballet is essentially a craft of meticulous, consistent, constant physical conditioning.
What are the fundamentals of your craft? And how can you give yourself class to hone them each day?