Ends… Are they spatial, temporal, positive, or negative?
About the speaker
Anne Bush is a Professor of design in the Department of Art and Art History at the University of Hawai‘i at Manoa. Anne’s essays on design history and criticism have been published in Émigré magazine, Visible Language, Design Issues, The American Center for Design Journal, Tipographica, the AIGA Journal, Iridescent (the research journal of ICOGRADA - International Council of Graphic Design Associations), The Graphic Design Journal of Canada, and Cambridge University Press, among others. Her design work has been recognized by I.D. Magazine, the AIGA, the New York Art Director’s Club, Communication Arts magazine, Print magazine, The American Center for Design, Visible Language, Eye magazine, the International Society of Typographic Arts and the Brno Biennial of Design, among others. A survey of Anne’s design work, “System, Suspension, Seduction: Anne Bush’s Critical Design Practice” was published by the Rhode Island School of Design in the journal Visible Language in 2006. In 2016 she was one of only eleven design studios internationally to receive an honor award from the Society of Experiential Design (SEGD). Her design work is in the permanent collections of the Dansk Plakatmuseum (Abyhoj, Denmark), the Museum fur Kunst und Gewerbe (Hamburg, Germany), and La Maison du Livre et de l’Affiche (Chaumont, France). Anne has presented her design work and scholarship internationally and nationally and has received numerous research awards including the Isaiah Berlin Bursary at the University of Oxford in 2007, the Bursary Prize from the Design History Society (UK) in 2005, and a research grant from Yale University’s Paul Mellon Centre for Studies in British Art in 2005. She has been a Visiting Artist/Scholar at the American Academy in Rome in 1999, 2003, and 2006; a Fellow at the Camargo Foundation in Cassis, France in 2000; a Visiting Fellow at Harris Manchester College at the University of Oxford in 2013; and the Paul Mellon Centre Rome Fellow at the British School at Rome in 2014. Currently, Anne is preparing a book-length manuscript on the design and history of the modern travel guidebook.
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