#PUNK | Silvia Clo Di Gregorio
• – • Fiori Artificiali
About the speaker
Silvia works as a director and author, shooting more than 20 successful music video, working in contemporary art and advertising. Her stories focus on female and queer representation, with a strong style and high image quality. Silvia Clo shot his short film "Pollo all'Ananas '98" a story of immigration, stereotypes and distrust that leads to a grotesque climax produced by Cattive Produzioni and Spicy Storm Production, financed by the Torino Piemonte Film Commission and the Italian Ministry of Culture, to be released at 2024. On the 20th of June 2023 her tv series "Love Club" was out on Prime Video Italia. She's co-author and screenwriter of this new LGBTQIA+-themed TV series produced by Tempesta Film. Silvia has also worked for three years as a TedXVerbania tutor and in the field of popularization, she gave lectures on storytelling and creativity.
Local partners
We’re goodbase, a creative growth studio with roots in Europe and Brazil. We bring together design, tech, and strategy to help brands connect, grow, and thrive. From bold identities to intuitive experiences, from smart strategy to words that resonate, we make things that matter today and last tomorrow.
FIORIARTIFICIALI aims to bring together individuals working in innovative industries delivering creative, production and event services in Milan. Our space can accommodate workshops, events, video and photography productions. We develop creative expression and collaborations with artists, magazines and festivals. Funded by one brother and one sister, FIORIARTIFICIALI could be home to many audiences within art, fashion, film, photography, communication and cultural events. In 2019, the studio opens in Milan bringing together the work of Lino and Mara Palena.
Additional details
In a world that demands we be productive, composed, and grateful, being punk today means just one thing: telling the truth. The speech by Silvia Clo Di Gregorio, queer director and writer, is an invitation to break the mask of the “good person” and embrace one’s own voice, even when it’s uncomfortable, childish, angry, or out of place. Touching on themes such as non-binary identity, social repression, the refusal of educational norms, and the desire to leave, not to escape, but to stop lying, this is a speech that doesn’t just talk. It pulls you in.
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