About the speaker
Ëndri Dani was born in 1987 in Shkodra, Albania. He lives and works as an artist and graphic designer in Tirana. His educational background as a painter permeates his photographs and installations overwhelming the techniques over a number of different mediums (found objects, artefacts of ordinary life, cultural history, souvenirs, etc.). Without any kind of complaints, his research mostly deals with the condition of being an Albanian artist in his land, an issue that concerns quite everybody who lives Albania.
His works has been shown in a number of independent and institutional exhibition spaces:
National Art Gallery, Tirana (Albania), Israel Yang Biennal, Jerusalem (Israel), Stockholm Independent Art Fair (Sweden), Marrakech Biennale 5 (Marrakech), FONDAZIONE PINO PASCALI (Italy), Zeta Galery, Tirana (Albania), Miza (Albania), NURTUREart, (New York - USA), Mixed Greens, (New York - USA), INVISIBLE-EXPORTS, (New York - USA), UnionDocs, (New York - USA), National Museum of Montenegro “Miodrag Dado Duric” (Montenegro), Cetinje, Rijeka – Muzej Moderne I Suvremene (Croazia), Magazzino del Sale (Italy), Bienal Fin Del Mondo (Argentina, Chili, Uruguai)...
Local partners
Youth Act Center is a non-profit organization, which aims to empower youth to take an active role in their lives, family, society, education, economy, environment, and political development.
Youth Act Center is founded in July 2013 and is based in Tirana, Albania. Youth Act Center is guided by the idea that young people are the future of a country and deserve the opportunity to achieve success in their lives. It aims to be a bridge between Albania and the international community for the development and integration of Albanian youth in a global society.
Its vision is empowering the youth as the engine of the country development and the mission is to support the five I’s in all the above mentioned sectors: Youth Initiative Youth Integration Youth Involvement Youth Inspiration Youth Interconnection Youth Act Center is guided by creativity, prosperity, entrepreneurship and integrity, and it is focused on seven main areas: Culture, Art and Sport; Citizen and Democracy; Education and Training; Career and Employment; Globalization; Innovation, and Environment and Multimedia.
We believe in building brands from strong ideas and honest roots. Our mission is simple: to create quality work that is purposeful, beautiful, meaningful, and long-lasting. We ensure that each part of your brand — big and small — is essential, and ties into a flexible, harmonious, and enduring system that works for you and your audience.
Kompania Speed taxi “Five Star” vjen ne tregun shqiptar per te sjelle nje risi ne sherbimin taksi. Kompania jone synon qe nepermjet sherbimit shume cilesor dhe cmimeve normale te kthehet ne lider. Drejtuesit e automjeteve me shume eksperience si dhe stafi i trajnuar ne zyrat qendrore do t'i ofrojne klienteve tane sigurine dhe komoditetin e nevojshem qe nga momenti qe ata telefonojne per te prenotuar nje taksi e deri ne destinacionin final.
Marin Barleti University (UMB) is a private institution of higher education in Albania. The university was founded in 2005 by “Marin Barleti sh.p.k”, a member of the “DUDAJ” group. As a fully licensed and accredited institution of higher education, the university seeks to offer opportunities for life-long learning for all of those who are in the position to benefit. With modern campuses located near the Tirana National Park and the suburb of Selita, which is connected to the Unaza e Madhe Road, the university has modern standards and students find themselves in a comfortable and social setting that supports learning, networking and social experiences.
Additional details
For “Creative Morning” speech about “Palimpsests Series”, a multilayered collection of traces – a palimpsest – rather than a continuous, linear plotline. Our experiences, our histories, memories…identities, are narratives that do not remain static but are changed or covered by other narratives. Exposing the strata of traces, that is, thinking about and looking at our world as a palimpsest, is a necessary reaction of those who question the “stratum” of the present, revolted as they might be by kitsch, tired of dreaming unrealizable dreams, as the global arrests all whispers of local expressions.