YAY! Creative Mornings is tomorrow! Join us as Nick Butcher and Nadine Nakanishi, the duo behind Sonnenzimmer, chime in on this month’s theme: transparency. Their collaborative practice was established in 2006 in Chicago, Illinois. Initially recognized for their idiosyncratic commissioned screen-printed posters, their practice has since morphed into an interdisciplinary toolshed spanning multiple platforms, including exhibitions, publishing, performance, graphic design, and exhibition design. Get to know Sonnenzimmer a bit better in our monthly Q&A series below!
Nadine: I would like to answer this from a screen printing perspective. Transparencies are usually clear films, or acetates that are used to generate a film positive.
How does Chicago influence you or your work?
Nadine: We are because of Chicago. The graphic arts history of the region is so rich for what we are doing, and the amount of things we keep discovering keeps unfolding! For example, one of the screen printing pioneers in terms of publishing knowledge around the medium and who coined the term ‘Mitography’, Albert Kosloff, taught at Roosevelt High School in the city. But then there’s also the music legacy of publishing and printing, for example that of Sun Ra’s Saturn Records. The man designed and printed his own record covers, and they were fantastic! The imperfection of being situated in the middle of a continent makes for a special blend of work that can be created. We tend to think that in Chicago, we can be artists that work through ideas materially and physically, that seems for us to be very important.
List three words that begin with the letter “t” to describe your personality(s):
Tenacity, tacos, and “Tdreaming”